Art Salon Chinatown Presents
Made in Asian America
May 11 – July 3, 2019
Opening Reception: Saturday May 11, 2019 , 6 – 8 pm
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Yoshie.jpeg)
Yoshie Sakai, Koko’s Love Theatre, With Koko’s Love: Episode 3, 2018-2019, single channel video installation
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Yoshie.jpeg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Clement.jpeg)
Clement Hanami, Study in Light, Light Installation, 2019, Dimensions variable
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Clement.jpeg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Keiko-Good_Luck_partial.jpg)
Keiko Fukazawa, Good Luck, 2005, Earthenware, glaze, china paint, gold luster, kimono, fabric markers,
60 x 22 x 22″
60 x 22 x 22″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Keiko-Good_Luck_partial.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Keiko-Good_Luck_detail_1.jpg)
Keiko Fukazawa, Good Luck (Detail), 2005, Earthenware, glaze, china paint, gold luster, kimono, fabric markers,
60 x 22 x 22″
60 x 22 x 22″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Keiko-Good_Luck_detail_1.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Iris_Viewfinder.jpeg)
Iris Yirei Hu, Viewfinder, 2019, Acrylic, cotton warp, handmade paper from yucca, hemp, and compost, mould and deckle, clamps, wood, hand dyed indigo rock, Taiwanese Hakka textile, 45 x 24 x 14″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Iris_Viewfinder.jpeg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Iris_Foreward.jpeg)
Iris Yirei Hu, Foreword, (The Poem, after emu kuriyama) 2019, Hand stitched embroidery on burlap, needle, hand dyed indigo muslin and hemp, dowel, twine clothesline, and oxygen, 78 x 48″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Iris_Foreward.jpeg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Faded.jpg)
Maryrose Cobarrubias Mendoza, Faded Box, 2014, Pink box drawings, Colored Pencil on paperunder plexiglass, 8 1/2 x 12″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Faded.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Retrieval.jpg)
Maryrose Cobarrubias Mendoza, Retrieval, 2019, pastry boxes, 13 1/2 x 9 x 13 1/2″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Retrieval.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_empty.jpg)
Maryrose Cobarrubias Mendoza, Empty, 2015, Pink box drawings, Colored Pencil on paper under plexiglass, 18 x 19″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_empty.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Storage.jpg)
Maryrose Cobarrubias Mendoza, Storage, 2019, pastry boxes, 32 x 17 x 9″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Mendoza_Storage.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_valley.jpg)
Sandra Low, Valley Blvd. 2019, Acrylic on canvas, wooden dowels, 57 x 23″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_valley.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_sherbet.jpg)
Sandra Low, Sherbet Skies, 2019, Acrylic on canvas, wooden dowels, 54.5 x 24″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_sherbet.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_buddhism.jpg)
Sandra Low, Buddhism Means, 2018, Acrylic on canvas, wooden dowels, 58.5 x 21.5″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Sandra_buddhism.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/viet-h1.jpg)
Việt Lê – hom(m)e, Diptych (panel 1) , 2000 , C-print, resin, gold leaf mounted on board, 72 x 48″ (each panel)
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/viet-h1.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/viet-h2.jpg)
Việt Lê – hom(m)e, Diptych (panel 2) , 2000 , C-print, resin, gold leaf mounted on board, 72 x 48″ (each panel)
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/viet-h2.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/viet_Mom.jpg)
Việt Lê, Temple (Mom and Me), From Vestige, 2009, graphite & acrylic on bedsheets, 102 x 56″, Civitella Ranieri, Italy
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/viet_Mom.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/YS1.jpg)
Yong Soon Min, Light/As/If, 2015, Digitally cut – mahogany, 17 X 17”
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/YS1.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/YS2.jpg)
Yong Soon Min, Containment, 2015, Digitally cut – mahogany, ceramic bowl, water, 17 X 17”
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/YS2.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/YS3.jpg)
Yong Soon Min, Duality, 2015, Digitally cut – mahogany, 17 X 17”
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/YS3.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Phung_drawings.jpg)
Phung Huynh, Pretty Hurts, 2015 – 2017, Series of graphite drawings on 3 x 3″ board
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Phung_drawings.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Phung_Bleaching.jpg)
Phung Huynh, Bleaching, 2016, Oil on canvas, 42 x 42″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Phung_Bleaching.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk__Gurl.png)
Jennifer Ling Datchuk, Gurl Grill, 2019, Edition 2 of 8, Digital print, Hahnemuhle Fine Art pearl paper, image consists of porcelain, gold luster, deadstock commercial decals, Paper 16 x 20″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk__Gurl.png?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk_basicbitch_large.jpg)
Jennifer Ling Datchuk, Basic Bitch, 2017, Edition 3 of 8, Digital print, Hahnemuhle paper, image consists of porcelain, blue and white pattern transfers from Jingdezhen, China, blue and white nails from Glaze Nail Lounge, San Antonio, TX, Paper 16 x 24″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk_basicbitch_large.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk_MGirls.jpg)
Jennifer Ling Datchuk, Mao Girls, 2016, Jingdezhen porcelain, 7 x 7 x 4″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Datchuk_MGirls.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_DeadforFrancePhotos.jpg)
Malisa Humphrey, Dead for France (Seasons 1,2,3,4), 2019, Permalite print, 12 x 18″ (Each panel), Set of 4 framed photographs
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_DeadforFrancePhotos.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_Dead_Monoprint.jpg)
Malisa Humphrey, Dead for France, 2019, Mixed media monoprint on paper, 40 x 27″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_Dead_Monoprint.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_Victoria.-small.jpg)
Malisa Humphrey, Victoria, 2016, Collage on paper, 22.5 x 75.5″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Malisa_Victoria.-small.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Samira_September21.jpg)
Samira Yamin, Refractions (September 21, 2015), 2018, Wheel-cut optical glass and TIME Magazine page, mounted on Sintra, 10 1/4 x 15 3/8 x 1″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Samira_September21.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Samira_Refractions_March12.jpg)
Samira Yamin, Refractions (March 12, 2012), 2018, Wheel-cut optical glass and TIME Magazine page, mounted on Sintra, 10 1/4 x 15 3/8 x 1″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Samira_Refractions_March12.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Samira_Refractions_aug6.jpg)
Samira Yamin, Refractions (August 6, 2012), 2018, Wheel-cut optical glass and TIME Magazine page, mounted on Sintra, 10 5/16 x 7 5/8 x 1″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Samira_Refractions_aug6.jpg?resize=140%2C80&ssl=1)
![](https://artsalonchinatown.com/wp-content/uploads/2019/05/Samira_September12.jpg)
Samira Yamin, Refractions (September 12, 2016), 2018, Wheel-cut optical glass and TIME Magazine page, mounted on Sintra, 10 1/4 x 15 1/4 x 1″
![](https://i0.wp.com/artsalonchinatown.com/wp-content/uploads/2019/05/Samira_September12.jpg?resize=140%2C80&ssl=1)